香港设计师协会成立于一九七二年，是香港首个同类型组织，也是香港设计中心的创始成员之一。其核心使命是推动设计的公共利益、培育年轻设计师，并提升所有领域之设计从业员的专业地位。协会的旗舰项目包括：自一九七五年设立的环球设计大奖（GDA）、<\/p> \n

BDA品牌大奖、香港国际设计奖项赞助计划（SIDA）、设计与科技计划（DXT），DesignMatch“设计对”商业配对计划等。<\/p> \n

目前协会拥逾千名个人及企业会员，会员基础多元化，包括：专业会员、准会员、附属会员、学生会员和企业会员，涵盖六大设计范畴：平面设计、空间设计、产品设计、数码设计、时装设计和设计教育。协会一直将优质设计、教育、科技整合、可持续性、业务支援、多样性和包容性视为首要，时至今日已成为其会员，以及整个亚太地区的设计师、企业和组织的重要平台。通过推进这些关键领域，协会除了为会员提供宝贵资源、人脉网络和专业指导，同时亦作为带动设计行业创新和协作的枢纽。<\/p> \n

附录<\/b> A<\/b> - <\/b> BDA <\/b> 品牌大奖<\/b> 2025<\/b> 得奖名单<\/b> (*In Alphabetical order )<\/p> \n

\n \n \n \n \n \n

Best of the Best 1 <\/span> <\/p> <\/td> \n

"安踏"（ANTA） <\/span> <\/p> <\/td> \n <\/tr> \n

Best of the Best 2 <\/span> <\/p> <\/td> \n

AIRSIDE<\/span> <\/p> <\/td> \n <\/tr> \n

Best of the Best 3<\/span> <\/p> <\/td> \n

“环境保护署绿在区区”（GREEN@COMMUNITY of the Environmental Protection Department）<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Grand Award of the Year <\/i> <\/b> <\/p> \n
\n \n \n \n \n \n \n \n \n \n \n \n \n

Aravia Design Limited 睿凡设计有限公司<\/span> <\/p> <\/td> \n

Quooker<\/span> <\/p> <\/td> \n <\/tr> \n

BeCandle<\/span> <\/p> <\/td> \n

SOULITE 浮云生物<\/span> <\/p> <\/td> \n <\/tr> \n

CityUHK Milk 城大牛奶<\/span> <\/p> <\/td> \n

SPARKLE by<\/span> <\/p>
KAREN CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

FungFitz 冯韦<\/span> <\/p> <\/td> \n

Spatial Concept 意空间室内设计<\/span> <\/p> <\/td> \n <\/tr> \n

Gold Peak Technology Group 金山科技集团<\/span> <\/p> <\/td> \n

TamJai Mixian 谭仔香港米线<\/span> <\/p> <\/td> \n <\/tr> \n

HAREODY HOME 华诺狄家居<\/span> <\/p> <\/td> \n

TeamUnlock+<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Science & Technology Parks Corporation<\/span> <\/p>
香港科技园公司<\/span> <\/p> <\/td> \n

The Spark<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Tramways 香港电车<\/span> <\/p> <\/td> \n

Tony Ip Green Architects 叶颂文环保建筑师事务所<\/span> <\/p> <\/td> \n <\/tr> \n

IXDC（International eXperience Design Committee）<\/span> <\/p>
国际体验设计委员会<\/span> <\/p> <\/td> \n

TriTerra & Dunwell<\/span> <\/p>
赛特立科技 & 正昌环保<\/span> <\/p> <\/td> \n <\/tr> \n

Link Sustainability Lab 领展可持续未来馆<\/span> <\/p> <\/td> \n

<\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Best Innovation Brand Award<\/i><\/b><\/p> \n
\n \n \n \n \n \n

Arti Studio Limited<\/span> <\/p> <\/td> \n <\/tr> \n

Creato<\/span> <\/p> <\/td> \n <\/tr> \n

Mr. Q Panda Workshop<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Best Brand Image Award<\/i> <\/b> <\/p> \n
\n \n \n \n \n \n \n

CityUHK Milk<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Tramways<\/span> <\/p> <\/td> \n <\/tr> \n

Tin Ka Ping Centre of Chinese Culture, HKMU<\/span> <\/p> <\/td> \n <\/tr> \n

Panda SME Consultancy Limited熊猫企业顾问有限公司<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Best Sustainability Brand Award<\/i> <\/b> <\/p> \n
\n \n \n \n \n \n

Benjamin Moore<\/span> <\/p> <\/td> \n <\/tr> \n

Dress Green<\/span> <\/p> <\/td> \n <\/tr> \n

The Spark<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Best User Experience Brand Award<\/i> <\/b> <\/p> \n
\n \n \n \n \n \n \n

Glamstudio<\/span> <\/p> <\/td> \n <\/tr> \n

Heep Hong Society<\/span> <\/p> <\/td> \n <\/tr> \n

UAL MA Design Management (Hong Kong Cohort)<\/span> <\/p> <\/td> \n <\/tr> \n

梦乐<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Best Market Value Brand Award<\/i> <\/b> <\/p> \n
\n \n \n \n \n \n

Chill Play New Media<\/span> <\/p> <\/td> \n <\/tr> \n

Gordon Parenting<\/span> <\/p> <\/td> \n <\/tr> \n

TRICKSTER<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
附录<\/b> B - <\/b> 环球设计大奖<\/b> 2025<\/b> 得奖名单<\/b> <\/p> \n
Gold Awards<\/b> <\/p> \n
\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n

1<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value:<\/span> <\/p>
The Upcycling Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Colin Herperger, Sam Davies, <\/span> <\/p>
Patch Perez, Steven Pippin, <\/span> <\/p>
Steven Davies<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

EH216-S 电动无人驾驶载人航空<\/span> <\/p>
器<\/span> <\/p> <\/td> \n

亿航智慧型设备（广州）有限<\/span> <\/p>
公司<\/span> <\/p> <\/td> \n

亿航智能<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & Design, <\/span> <\/p>
Tsinghua University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Indecision<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

《石流冰川》"Stone Flow Glacier"<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

DIGITAL<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

HUSH．RUSH 谧．冲<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

DIGITAL<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

TSM Xiangtangshan XTS iDome<\/span> <\/p>
Project<\/span> <\/p> <\/td> \n

Tsz Shan Monastery Limited<\/span> <\/p> <\/td> \n

Eddy Hui<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

GRAPHIC<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

简单上下 EasyGo<\/span> <\/p> <\/td> \n

成都觅方文化传播有限公司<\/span> <\/p> <\/td> \n

Xingyue Deng<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

GRAPHIC<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

PolyU School of Fashion and<\/span> <\/p>
Textiles<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

hong kong palace museum_the<\/span> <\/p>
quest for originality<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>
wong) X collective studio<\/span> <\/p> <\/td> \n <\/tr> \n

13<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Galaxy Macau Kidz Edutainment<\/span> <\/p>
Centre<\/span> <\/p> <\/td> \n

Groundwork<\/span> <\/p> <\/td> \n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
Judges Choice <\/b> <\/p> \n
\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n

1<\/span> <\/p> <\/td> \n

PRODUCT <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Winnif Pang)<\/span> <\/p> <\/td> \n

Transforming Waste into <\/span> <\/p>
Value: The Upcycling <\/span> <\/p>
Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(王文东）<\/span> <\/p> <\/td> \n

EH216-S 电动无人驾驶<\/span> <\/p>
载人航空器<\/span> <\/p> <\/td> \n

亿航智慧型设备（广<\/span> <\/p>
州）有限公司<\/span> <\/p> <\/td> \n

亿航智能<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Pradyumna <\/span> <\/p>
Vyas)<\/span> <\/p> <\/td> \n

COM-PLATES Ⅱ<\/span> <\/p> <\/td> \n

KOUSHIN DIE & <\/span> <\/p>
MOLD WORKS LTD.<\/span> <\/p> <\/td> \n

HIROSHI TAKAHASHI<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

FASHION <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(房莹、Kay <\/span> <\/p>
Kwok、Tony <\/span> <\/p>
Vergara)<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & <\/span> <\/p>
Design, Tsinghua <\/span> <\/p>
University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

DIGITAL <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Bernd <\/span> <\/p>
Kracke、<\/span> <\/p>
Henry Chu)<\/span> <\/p> <\/td> \n

HUSH．RUSH 谧．冲<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

DIGITAL <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Pavel Mrkus)<\/span> <\/p> <\/td> \n

RESPIRA 2.0<\/span> <\/p> <\/td> \n

Future Spaces Vision <\/span> <\/p>
Lab, School of Design, <\/span> <\/p>
SUSTech<\/span> <\/p> <\/td> \n

Yong Zhao, Luwen Zhang, Mirna <\/span> <\/p>
Zordan<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Vince Frost)<\/span> <\/p> <\/td> \n

第六届关中忙罢艺术节<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(韩家英)<\/span> <\/p> <\/td> \n

Typeface Design for Brand <\/span> <\/p>
Design Awards Awardee <\/span> <\/p>
Book 2023<\/span> <\/p> <\/td> \n

Eric Chan Design Co Ltd<\/span> <\/p> <\/td> \n

Eric Chan, Bai Chia Ping<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Norito <\/span> <\/p>
Shinmura)<\/span> <\/p> <\/td> \n

2024华语百佳海报邀请展<\/span> <\/p> <\/td> \n

同济大学设计创意学<\/span> <\/p>
院<\/span> <\/p> <\/td> \n

孙大旺、潘惠<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Thomas <\/span> <\/p>
Kvan)<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Thomas <\/span> <\/p>
Garvey)<\/span> <\/p> <\/td> \n

Through The Years, To <\/span> <\/p>
Touch You<\/span> <\/p> <\/td> \n

X-ARt<\/span> <\/p> <\/td> \n

Tristan BRAUD, Brian LAU, <\/span> <\/p>
Dominie CHAN Hoi Lam, <\/span> <\/p>
Christopher CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>
DESIGN<\/span> <\/p> <\/td> \n

Judge Choice<\/span> <\/p>
(Horace Pan)<\/span> <\/p> <\/td> \n

Jockey Club Project Well-<\/span> <\/p>
being: Place-making <\/span> <\/p>
at Schools<\/span> <\/p> <\/td> \n

PolyU College of <\/span> <\/p>
Professional and <\/span> <\/p>
Continuing Education<\/span> <\/p> <\/td> \n

PolyU College of Professional <\/span> <\/p>
and Continuing Education, <\/span> <\/p>
Architecture Commons, One Bite <\/span> <\/p>
Design Studio, DOMAT, <\/span> <\/p>
Groundwork, <\/span> <\/p>
Littleurbanmountain Design, The <\/span> <\/p>
Third Teacher, Kay Chan & <\/span> <\/p>
Unite Unit<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n
GDA 2025 – Global Top 10<\/b> <\/p> \n
\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n

1<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value: The Upcycling <\/span> <\/p>
Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Colin Herperger, Sam Davies, <\/span> <\/p>
Patch Perez, Steven Pippin, Steven <\/span> <\/p>
Davies<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

EH216-S 电动无人驾驶载人航空器<\/span> <\/p> <\/td> \n

亿航智慧型设备（广州）有限公司<\/span> <\/p> <\/td> \n

亿航智能<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

COM-PLATES Ⅱ<\/span> <\/p> <\/td> \n

KOUSHIN DIE & MOLD WORKS <\/span> <\/p>
LTD.<\/span> <\/p> <\/td> \n

HIROSHI TAKAHASHI<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Exlicon Lock- Perspective Drafting Tools To Unlock <\/span> <\/p>
Creativity<\/span> <\/p> <\/td> \n

Ddiin Concept Limited<\/span> <\/p> <\/td> \n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Sakanakaruta<\/span> <\/p> <\/td> \n

Chiba Print Co.,Ltd<\/span> <\/p> <\/td> \n

Kyosuke Ishita, Seishiro Masutani, <\/span> <\/p>
SANAGI design studio<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Exlicon L- Precision Golden Ratio Tools for Art and <\/span> <\/p>
Geometry<\/span> <\/p> <\/td> \n

Ddiin Concept Limited<\/span> <\/p> <\/td> \n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

A Universal Charging post with CCS2 charging <\/span> <\/p>
connectors and Type 2 sockets<\/span> <\/p> <\/td> \n

Entrust Microgrid Ltd<\/span> <\/p> <\/td> \n

Nan Jiang<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

智能割草机<\/span> <\/p> <\/td> \n

深圳市意臣工业设计有限公司<\/span> <\/p> <\/td> \n

深圳市意臣工业设计有限公司<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

VAAKA the Coffee and Tea Balance<\/span> <\/p> <\/td> \n

Pong company ltd.<\/span> <\/p> <\/td> \n

leo yiu<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Uphold Cutlery Compact<\/span> <\/p> <\/td> \n

Uphold Living Limited<\/span> <\/p> <\/td> \n

Eravolution Limited<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & Design, <\/span> <\/p>
Tsinghua University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

13<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Indecision<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

14<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

《石流冰川》"Stone Flow Glacier"<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

15<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

M.Wavecut<\/span> <\/p> <\/td> \n

Double Black Company Limited<\/span> <\/p> <\/td> \n

Brian Chan<\/span> <\/p> <\/td> \n <\/tr> \n

16<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

M.Snowflake<\/span> <\/p> <\/td> \n

Double Black Company Limited<\/span> <\/p> <\/td> \n

Brian Chan<\/span> <\/p> <\/td> \n <\/tr> \n

17<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Evanesce Series: Fashionable and Functional Lingerie <\/span> <\/p>
for Elderly Women<\/span> <\/p> <\/td> \n

PolyU Design x Silver Innovation<\/span> <\/p> <\/td> \n

Anthony Kong and Christie Ho<\/span> <\/p> <\/td> \n <\/tr> \n

18<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Stroke<\/span> <\/p> <\/td> \n

MODE CREATION LIMITED<\/span> <\/p> <\/td> \n

Sin Mei Yuk, Aries<\/span> <\/p> <\/td> \n <\/tr> \n

19<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Hang Onto The Present<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

20<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

QIPAO Capsule Series<\/span> <\/p> <\/td> \n

FAVE BY KENNY LI<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

21<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

ARTY:ACTIVE ECO OUTDOOR SPORTS COLLECTION<\/span> <\/p> <\/td> \n

plant216<\/span> <\/p> <\/td> \n

gary tsang<\/span> <\/p> <\/td> \n <\/tr> \n

22<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

HUSH．RUSH 谧．冲<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

23<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

RESPIRA 2.0<\/span> <\/p> <\/td> \n

Future Spaces Vision Lab, School of <\/span> <\/p>
Design, SUSTech<\/span> <\/p> <\/td> \n

Yong Zhao, Luwen Zhang, Mirna <\/span> <\/p>
Zordan<\/span> <\/p> <\/td> \n <\/tr> \n

24<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

TSM Xiangtangshan XTS iDome Project<\/span> <\/p> <\/td> \n

Tsz Shan Monastery Limited<\/span> <\/p> <\/td> \n

Eddy Hui<\/span> <\/p> <\/td> \n <\/tr> \n

25<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Whale Trails: Al-PoweredWhale Sightings<\/span> <\/p> <\/td> \n

Zhijun Song\/ Yi'nan Chen<\/span> <\/p> <\/td> \n

Yinan Chen & Zhijun Song<\/span> <\/p> <\/td> \n <\/tr> \n

26<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Life through a window<\/span> <\/p> <\/td> \n

The Hong Kong Polytechnic <\/span> <\/p>
University<\/span> <\/p> <\/td> \n

Hillary KWAN<\/span> <\/p> <\/td> \n <\/tr> \n

27<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Feel in the blank: Weaving the story with phygital <\/span> <\/p>
design<\/span> <\/p> <\/td> \n

PolyU Design x 430<\/span> <\/p> <\/td> \n

Anthony Kong<\/span> <\/p> <\/td> \n <\/tr> \n

28<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

cineDESK<\/span> <\/p> <\/td> \n

Hong Kong Academy for Performing <\/span> <\/p>
Arts, Zurich University of the Arts<\/span> <\/p> <\/td> \n

Dr. Terry Lam, Mr. Vincent Cheung, <\/span> <\/p>
Mr. Norbert Kottmann, Mr. Manuel <\/span> <\/p>
Flurin Hendry, Mr. Valentin Huber<\/span> <\/p> <\/td> \n <\/tr> \n

29<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

University Copilot<\/span> <\/p> <\/td> \n

Wow Internet Labz Pvt. Ltd<\/span> <\/p> <\/td> \n

Vinayak Bhandare<\/span> <\/p> <\/td> \n <\/tr> \n

30<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Her View<\/span> <\/p> <\/td> \n

个人<\/span> <\/p> <\/td> \n

黎芊韵<\/span> <\/p> <\/td> \n <\/tr> \n

31<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

High Sections \/ Low Leaps<\/span> <\/p> <\/td> \n

Marcel Zaes Sagesser, Tristan Braud, <\/span> <\/p>
Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p> <\/td> \n

Marcel Zaes Sagesser, Tristan Braud, <\/span> <\/p>
Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p> <\/td> \n <\/tr> \n

32<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Innovating Cultural IP Marketing & Appreciation with <\/span> <\/p>
Digitalization & AI<\/span> <\/p> <\/td> \n

Appreciator Innovation Company <\/span> <\/p>
Limited<\/span> <\/p> <\/td> \n

Appreciator Innovation Company <\/span> <\/p>
Limited<\/span> <\/p> <\/td> \n <\/tr> \n

33<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

简单上下 EasyGo<\/span> <\/p> <\/td> \n

成都觅方文化传播有限公司<\/span> <\/p> <\/td> \n

Xingyue Deng<\/span> <\/p> <\/td> \n <\/tr> \n

34<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

PolyU School of Fashion and Textiles<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n <\/tr> \n

35<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

第六届关中忙罢艺术节<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

36<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Typeface Design for Brand Design Awards Awardee <\/span> <\/p>
Book 2023<\/span> <\/p> <\/td> \n

Eric Chan Design Co Ltd<\/span> <\/p> <\/td> \n

Eric Chan, Bai Chia Ping<\/span> <\/p> <\/td> \n <\/tr> \n

37<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

2024华语百佳海报邀请展<\/span> <\/p> <\/td> \n

同济大学设计创意学院<\/span> <\/p> <\/td> \n

孙大旺、潘惠<\/span> <\/p> <\/td> \n <\/tr> \n

38<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

seeing words in hong kong \/ redwhiteblue \/\/ words <\/span> <\/p>
talking \/ self talking<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>
wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

39<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Dino Kiddo<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

40<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

world peace 天下太平<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (Stanley <\/span> <\/p>
Wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

41<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

guangzhou design trienniel 2024 \/ section 4 \/ design : <\/span> <\/p>
surviving : living : being<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>
wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

42<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Osaka Poster Fest 2021 - CONTACT Series<\/span> <\/p> <\/td> \n

Eric Chan<\/span> <\/p> <\/td> \n

Eric Chan, Linda Wong<\/span> <\/p> <\/td> \n <\/tr> \n

43<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Otera<\/span> <\/p> <\/td> \n

Bake and Brew Limited<\/span> <\/p> <\/td> \n

Tang Ho Pan, Alex<\/span> <\/p> <\/td> \n <\/tr> \n

44<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

45<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

hong kong palace museum_the quest for originality<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>
wong) X collective studio<\/span> <\/p> <\/td> \n <\/tr> \n

46<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Galaxy Macau Kidz Edutainment Centre<\/span> <\/p> <\/td> \n

Groundwork<\/span> <\/p> <\/td> \n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p> <\/td> \n <\/tr> \n

47<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Through The Years, To Touch You<\/span> <\/p> <\/td> \n

X-ARt<\/span> <\/p> <\/td> \n

Tristan BRAUD, Brian LAU, Dominie <\/span> <\/p>
CHAN Hoi Lam, Christopher CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

48<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

49<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

错位社区-东鸦<\/span> <\/p> <\/td> \n

上海至所装饰设计工程有限公司<\/span> <\/p>
（HOOOLD设计事务所）<\/span> <\/p> <\/td> \n

韩磊<\/span> <\/p> <\/td> \n <\/tr> \n

50<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Haikou Goxingli Insun Cinema<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>
LUNG<\/span> <\/p> <\/td> \n <\/tr> \n

51<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Nanyang Wanyue City Square<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>
LUNG<\/span> <\/p> <\/td> \n <\/tr> \n

52<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Mirror Maze<\/span> <\/p> <\/td> \n

Elsedesign + Department of <\/span> <\/p>
Architecture Tunghai University<\/span> <\/p> <\/td> \n

Philip Fung<\/span> <\/p> <\/td> \n <\/tr> \n

53<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Nanshan Cinesky Cinema<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>
LUNG<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n $\"\"$ "]; $("#dvExtra").html(content_array[0]);})();